PRODUCER LINER NOTES ON "Soul Injection" CD

MAGGIE VEE

This was my first foray into producing a music CD. I like to describe myself among other things as a musician, songwriter, artist, performer, writer and art activist. The work gathered on this CD; “Soul Injection” represents a spiritual journey that was, at it’s inception, meant to be shared. It was absolutely necessary for it to be made, some way, some how, and so it was. Each one of these songs is a gift. They are in essence prayer and meditation manifest in sound. I think of them as paintings and the musicians as having picked up their tonal paint brushes to leave their indelible colors on the sound canvas. I have been performing this music live for two years as of this time (12/9/10) and the music continues it’s healing qualities on all who listen. I grow every time I perform it through peoples stories that they share with me and I am grateful. This Soul Pattern Project Journal is meant to take you deeper into the project’s roots. I hope your swept away in the journey with us. Selah! Enjoy!

NATHAN PAUL

When Maggie and I first discussed her project there were a few aspects that I thought would be integral to it's design. We talked about space and it's use as an essential element to define the production. I felt that the mic'ing technique(s) used would be important to the overall patina of the sound as much as the phrasing of the individual musician(s). My contribution as such, I believe, was to stay true to that original ethos as intimately as possible. As we were guided through this process by spirit and our own instincts, the performance's seemed to be gifted to us by over-souls of a sort. For the first time in a production environment, I felt an overwhelming sense of gratitude for the space, time and wonderful performances by true artists. Armed and empowered by self-reliance and spirit guidance I believe the objective was met and exceeded in a way I am eminently proud of.

PATRICK WOERTINK

Music producer, guitarist and CEO of Legend Gold Records Pat Woertink has known Vee for several years. He reflected on Vee’s focus and determination in pursuing session projects, “Maggie had her own vision on how to record her own music. She wanted live performance recordings and brought musicians in with her to create the electricity that goes with that. In fact, it was reminiscent of Frank Zappa, because that was the exact same strategy used.” Woertink predicts a successful career for Vee, who along with Nathan Paul a guitarist, record producer and studio engineer, often film music events for Woertink’s Max Cinema.

 

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Maggie Vee               Nathan Paul

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